Tube
Traps
AT DISCOUNT PRICES
The
Original Tube Trap
Full rounds are available in 9", 11", 16"
and 20" diameters up to 4' long.
Highly efficient, stackable corner-loaded bass trap.
Absorption down to 35 Hz.
Diffusion above 400 Hz.
Supers have internal low-Q resonator extending absorption
down as low as 45 Hz. Specifications
Anatomy
of a Tube Trap |
Studio
Traps
9" x 4' Full Round mounted on adjustable tripod.
Tuneable absorption and diffusion.
Use individually or in groups. Varied applications include:
corner trap, gobo, wall traps or freestanding iso booth.
Use in recording, mix down and playback.
Specifications
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Fractional
Round Tube Traps
Standard length of 4 ft., custom lengths available
Mid-range embedded diffusive reflector (500Hz and above),
available centered, offset or removed
Broadband bass absorption
Control resonant modes when corner-loaded
Multiple sizes and colors Specifications
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Cube
Tower™
 Looks like a speaker, acts like a bass trap
14-1/2"W x 14-1/2"D x 78"H
Diffusive backscattering above 400Hz
Broadband bass absorption down to 40Hz
Control resonant modes when corner-loaded
Black or wood
endcaps with your choice of fabrics
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Studio
Panels
Bevel cut panel trimmed with moulding.
Blend of absorption and diffusion.
2" x 8" x 48" (roll off 350 Hz)
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Monitor
Stands
 11" and 16" diameters up to 4' tall.
Specially baffled Tube Trap comes with felt ring grooved
into top to hold monitor in position and spiked feet
below.
Smooths out peaks and valleys of bass response curve.
Controls vertical Eigentone. |
Attack Wall
 Studio Traps tuned with the absorptive side towards the engineer and placed on either side of the monitors, act as a soffit-loaded dead front end. The Wall is absorptive down to 110 Hz but loads the low bass then vents around its bottom and top edges to eliminate the vertical bounce. Studio Traps to the outside of the monitors also serve to control side wall reflections by casting an acoustical shadow on the side wall. This mid field Attack Wall develops the punch of far field mains with the detailed accuracy of near field monitors.
Set-up
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Quick Sound Field
The multiple early reflection pattern from the QSF produces a saturation of early reflections, all inside the Haas effect window, which effectively produces acoustical compression. The Studio Traps accommodate almost any microphone placement while the reflectors mask any variation or movement of the script stand or talent. The alternating pattern of absorption, reflection and venting eliminates flutter. Mic boom connector kits for the top of the Studio Traps are especially useful when recording drums. The Quick Sound Field will give you a solid recording every time.
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Cinema Panels
Engineered to complement current audio specifications, our modular system is designed to replicate the feel of a large cinema experience. |
By placing a combination of absorptive and diffusive panels at key points in the room, sonic control and imaging can be greatly enhanced.
With a variety of designer fabrics to fit any decor, and 4 sizes of acoustic panels
available, you will be providing a system that gives a dramatic auditory and
visual effect to any space.
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FEATURES:
• Easy Installation
• Architectural Beveled Edges
• Variety of Fabric Colors
• 5ft, 4ft, 3ft & 2ft Lengths
• Custom Sizes Available
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| Fabrics
Colors |
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Guilford of Maine fabric colors. Stock colors
are Silver Papier, Grey Mix, Medium Grey, Quartz,
Black, Claret Accent and Blue Plum. The other colors in the FR701/2100
series are available at an upcharge.
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Northampton, MA 01062 
